All he could do was to befriend
her and make her welcome at the studio, to advise her about her
illustrations, and correct her drawing when it needed it. He himself was
an old-fashioned artist, quite content to be "mid" or even "early"
Victorian. He still cultivated the art of historical painting, and was
still as anxious as any contemporary of Frith to tell a story. And as
his manner was no less behind the age than his material, his pictures
remained on his hands, while the "vicious horrors," as they seemed to
him, of the younger school held the field and captured the newspapers.
But as he had some private means, and no kith or kin but his niece, the
indifference of the public to his work caused him little disturbance.
He pleased his own taste, allowing himself a good-natured contempt for
the work which supplanted him, coupled with an ever-generous hand for
any post-Impressionist in difficulties.
On the August afternoon when Doris, escaping at last from her maids and
her accounts, made her way up to the studio, for some hours' work on the
last three or four illustrations wanted for a Christmas book, Uncle
Charles welcomed her with effusion.
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