The purest joy known to the reader is a perception of the
beauty and power of a work of art so fresh and instantaneous that it
completely absorbs the whole nature. Analysis, criticism, and judicial
appraisement come later; the first moment must be surrendered to the
joy of discovery.
Heine has recorded the overpowering impression made upon him by the
first glimpse of the Venus of Melos. An experience so extreme in
emotional quality could come only to a nature singularly sensitive to
beauty and abnormally sensitive to physical emotion; but he who has no
power of feeling intensely the power of beauty in the moment of
discovery, has missed something of very high value in the process of
culture. One of the signs of real culture is the power of enjoyment
which goes with fresh feeling. All great art is full of this feeling;
its characteristic is the new interest with which it invests the most
familiar objects; and one evidence of capacity to receive culture from
art is the development of this feeling. The reader who is on the way
to enrich himself by contact with books cultivates the power of
feeling freshly and keenly the charm of every book he reads simply as
a piece of literature.
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