This
process is, at the start, partly mechanical; in the nature of things
it must be entirely within the view and control of a vigilant
consciousness. But as the training progresses, the element of
self-consciousness steadily diminishes, until, in great moments, the
true orator, become one harmonious instrument of expression,
surrenders himself to his theme, and his personality shines clear and
luminous through speech, articulation, and gesture. The unconscious
nature of the man subordinates his skill wholly to its own uses. In
like manner, in every kind of self-expression, the student who puts
imagination, vitality, and sincerity into the work of preliminary
education, comes at last to full command of himself, and gives
complete expression to that which is deepest and most individual in
him. Time, discipline, study, and thought enrich every nature which is
receptive and responsive.
Chapter XIX.
The Teaching of Tragedy.
No characters appeal more powerfully to the imagination than those
impressive figures about whom the literature of tragedy
moves,--figures associated with the greatest passions and the most
appalling sorrows.
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