If he was infected by Cubist
tendencies he evidently had not understood what I said.
"If you won't talk about my pictures I don't mind your investigating this
district," he grunted, dabbing at his palette and plastering a wad of
vermilion upon his canvas; "but I object to any public invasion of my
artistic privacy until I am ready for it."
"When will that be?"
He pointed with one vermilion-soaked brush toward a long, low, log
building.
"In that structure," he said, "are packed one thousand and ninety-five
paintings--all signed by me. I have executed one or two every day since I
came here. When I have painted exactly ten thousand pictures, no more, no
less, I shall erect here a gallery large enough to contain them all.
"Only real lovers of art will ever come here to study them. It is five
hundred miles from the railroad. Therefore, I shall never have to endure
the praises of the dilettante, the patronage of the idler, the vapid
rhapsodies of the vulgar. Only those who understand will care to make the
pilgrimage."
He waved his brushes at me:
"The conservation of national resources is all well enough--the setting
aside of timber reserves, game preserves, bird refuges, all these
projects are very good in a way.
Pages:
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183