They have a bloom, a beauty, a fragrance we never
expected to find in M. Zola's work. The tale is a simple one: the
cheerful conquest of fortune and the continual birth of offspring."**
* _Manchester Guardian_, October 27, 1899.
** _Fortnightly Review_, January 1900.
Of course, these lady critics did not favor certain features of the
original, and one of them, indeed, referred to the evil denounced by M.
Zola as a mere evil of the hour, whereas it has been growing and
spreading for half a century, gradually sapping all the vitality of
France. But beside that evil, beside the downfall of the families it
attacks, M. Zola portrays the triumph of rectitude, the triumph which
follows faith in the powers of life, and observance of the law of
universal labor. "Fruitfulness" contains charming pictures of homely
married life, delightful glimpses of childhood and youth: the first
smile, the first step, the first word, followed by the playfulness and
the flirtations of boyhood, and the happiness which waits on the
espousals of those who truly love. And the punishment of the guilty is
awful, and the triumph of the righteous is the greatest that can be
conceived.
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