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Various

"Character Writings of the 17th Century"

He pursues things as men do an enemy
upon a retreat, until he is drawn into an ambush for want of heed and
circumspection. He falls upon things as they lie in his way, as if he
stumbled at them, or his foot slipped and cast him upon them; for he is
commonly foiled and comes off with bruises. He engages in business as
men do in duels, the sooner the better, that, if any evil come of it,
they may not be found to have slept upon it, or consulted with an
effeminate pillow in point of honour and courage. He strikes when he is
hot himself, not when the iron is so which he designs to work upon. His
tongue has no retentive faculty, but is always running like a fool's
drivel. He cannot keep it within compass, but it will be always upon the
ramble and playing of tricks upon a frolic, fancying of passes upon
religion, State, and the persons of those that are in present authority,
no matter how, to whom, or where; for his discretion is always out of
the way when he has occasion to make use of it.

THE AFFECTED OR FORMAL
Is a piece of clockwork, that moves only as it is wound up and set, and
not like a voluntary agent. He is a mathematical body, nothing but
_punctum, linea, et superficies_, and perfectly abstract from matter. He
walks as stiffly and uprightly as a dog that is taught to go on his
hinder legs, and carries his hands as the other does his fore-feet. He is
very ceremonious and full of respect to himself, for no man uses those
formalities that does not expect the same from others.


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