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Wilde, Oscar, 1854-1900

"Essays and Lectures"


Satire, always as sterile as it in shameful and as impotent as it
is insolent, paid them that usual homage which mediocrity pays to
genius - doing, here as always, infinite harm to the public,
blinding them to what is beautiful, teaching them that irreverence
which is the source of all vileness and narrowness of life, but
harming the artist not at all, rather confirming him in the perfect
rightness of his work and ambition. For to disagree with three-
fourths of the British public on all points is one of the first
elements of sanity, one of the deepest consolations in all moments
of spiritual doubt.
As regards the ideas these young men brought to the regeneration of
English art, we may see at the base of their artistic creations a
desire for a deeper spiritual value to be given to art as well as a
more decorative value.
Pre-Raphaelites they called themselves; not that they imitated the
early Italian masters at all, but that in their work, as opposed to
the facile abstractions of Raphael, they found a stronger realism
of imagination, a more careful realism of technique, a vision at
once more fervent and more vivid, an individuality more intimate
and more intense.


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